SOMERTON MAN TAMAMSHUD: MICROWRITING LATEST IMAGES & HANDWRITING COMPARISONS LINKED. UPDATED...BREAKTHROUGH... AND MORE EXAMPLES FROM THE PRESS Updated 19th March 2022

THE CODE PAGE SHOWING MICRO WRITING...

NEWSPAPER ARTICLE< MICRO WRITING COMPETITIONS...

For those who have difficulty understanding the theory and practice of micro writing, the above article was dated 1926 and appeared in the Adelaide Chronicle.....

This is the page that other blogs do not want you to see. In fact, one of those blogs posted a low-resolution copy of this page last week and screamed out for someone to say if they could see micro writing. Someone apparently did and the Code page post was promptly removed along with another post. I have marked up a few close-up areas that show microcode that had been covered up by the police or perhaps another agency writing over the letters.

CLOSEUPS:

1. Image of top left corner of the codes page, microcode is shown beneath the 'stain'

 

2. Image of the top right corner of the page, more, less clear, instances of microcode:

3. Letter I from the second line, rotated as the code was written from the left side of the page.

4.  TP, clear microcode ion the letter P

5.  First part of the crossed lines, raises some questions as to what follows the initial number set but will work on that

6. The second part of the crossed lines, more code visible

7. Letter S last line, code was written from the left similar to the letter 'I' in line 2:

8. GAR sequence in the last line, filled with code:

9. Bottom line flourish containing microcode as shown:

In fact all of the 'letters' shown on the code page. It represents yet another fail by the opponents of the reality of the presence of microcode within the code page as well as other SOmerton Man related documents.

Speaking of which here are some closeups from the Jestyn Verse 70 inscription shown in the copy of the Rubaiyat that Jess gave to Alf Boxall:

VERSE 70 INSCRIPTION

The image above is a copy of the inscription supplied to me by Professor Abbott in 2015. It's a good quality hi-resolution image and I have photographed that in sunlight using my Samsung S9 plus smart phone.. In fact, if you download and zoom in to this image you will see the small impressions within each letter and line.

1.   First up is the DASH found in line 2 of the inscription. It is two distinct shades, light and dark, a concealment technique. If you zoom into this image you will make out the number/letter string.

And the rotated view:

 The rotated view shows that the number string was written in from the top of the page. If you have a smartphone then simply expand the image as per normal

2.  Next is the word SPRING from line 3, I have rotated it to show how the number string has been deliberately entered to fit within the pen stroke. You will notice that the pen stroke changes in shade, I believe that is the secondary stroke over the penciled-in microcode to conceal its presence as per the INK H technique described in the British Intelligence manual.

And the rotated view of SPRING:

The number and letter string are more readily seen in the rotated view above indicating that the microcode was written in from the left of the page.

3.  The word PENITENCE in the 4th and final line of the inscription, once again I have rotated it to show the deliberate nature of the insertion of microcode within the letterP. In fact each letter has a microcode within it.

And the rotated view of  PENITENCE:

The numbers string within the upright of the letter P is much clearer and yet again you can see that the microcode was written in from the left of the page

4.  The signature, JEstyn showing more code:

5. The number 70 containing microcode, was inserted by Alf Boxall sometime after the 1977/78 Littlemore interview:

THE BREAKTHROUGH

VERSE 70:

In this image, microcode written by ALf, the number string within the upright of the number 7 has been written in from the right of the page. 

One conclusion you could draw from the Verse 70 close up images is that Alf wrote the microcode into the upright of the number 7 by virtue of the known timing of that event, whilst the code in the upright closeups of the words SPRING and PENITENCE, written as they were from the left side of the page bearing the Verse 70  inscription, were written by someone other than Alf.

THE CODE PAGE

The letter ' I ' in line 2 had its microcode entered from the left of the page as did the letter S in the last line.

This format matches the letters in the Verse 70 Inscription written by Jestyn.

It is therefore reasonable to think that Jestyn wrote both the code page and the Verse 70 inscription.

The lettering is quite dark, you can lighten it up as follows:

1. Print it out a high quality using an inkjet printer and print it on to bleed-proof paper which you can buy at most artist supply stores. Once printed let it dry and then use a few drops of lemon juice over the number, letters to if you wish, this will remove the lighter shade ink and leave the darker coloured microcode strings.

HANDWRITING COMPARISONS:

Those who would like to view the work done here on handwriting comparison between Jestyn, Alf, and the Verse 70 inscription can make a start here:

https://tamamshud.blogspot.com/2019/05/somerton-man-verse-alf-boxall.html

https://tamamshud.blogspot.com/2019/05/somerton-man-jess-handwriting.html