Analysis of the "Somerton Man" Hair Sample
Here's a summary of that paper:
Background: In 2022, Professor Derek Abbott announced the identification of the Somerton Man, an unidentified individual found deceased on Somerton Beach, Adelaide, in 1948, as Charles "Carl" Webb, based on DNA analysis of hair samples said to have been extracted from a plaster death mask created in 1949.
Objective: This paper examines the methodological rigor, evidentiary foundation, and scientific protocols employed in the Webb identification, with particular attention to forensic hair analysis, chain of custody documentation, statistical population analysis, and historical artifact construction practices.
Methods: Critical analysis of published materials, forensic hair microscopy, demographic modeling of potential candidate populations, and evaluation of standard forensic protocols were conducted. Additionally, historical research into mid-20th-century plaster bust fabrication practices was undertaken to assess potential contamination pathways. Results:
The analysis reveals multiple fundamental concerns: 1. Microscopic evidence of ante mortem root banding (AMRB) in hair samples claimed to be from 1948 2. Absence of documented chain of custody for DNA samples 3. Failure to test direct Webb family members 4. No cross-referencing between 2018 and 2022 DNA analyses 5. Reliance on a single undocumented sample 6. Statistical analysis indicating approximately 9,764 potential candidates from the relevant demographic cohort 7. Historical evidence supporting the use of human hair from living donors in plaster bust fabrication Conclusions: The Webb identification fails to meet standard forensic science protocols for human identification. The convergence of methodological irregularities, missing verification procedures, and physical evidence inconsistencies-including the plausible incorporation of non-forensic hair into the bust-raises substantial questions regarding the validity of this identification claim.
Having said that, two issues arose, and while I addressed them, I have to admit I made an assumption and did not fully substantiate my findings.
The first issue concerns the magnified image of the hair, which the Professor stated was from the Somerton Man. That specific image is shown here:
Now this is where the updated information comes into play. In my earlier paper, I stated that the presence of banding nearer the distal tip is known as antemortem banding, which would indicate that the hair shown came from a live subject and not a dead person. That much was true. But the deep analysis carried out recently resulted in the finding that the banding may not have had anything to do with post- or ante-mortem banding at all; it was to do with a chemical reaction.
Let me explain: if you look at the magnified image on the left really closely, you will see the dark inner cortex of the hair; it leads from one end of the hair up to the dark 'banding' area, Before it reached that band, I measured its width and noted that when it entered the banded area, that cortex expanded to match the apparent 'bulge' of the banding that you can see.


A good question is, why is that tapering important? The answer is that human hair is thickest at its root and then tapers down to the tip or distal end as you can see in the above image.
So let's run through the sums, the sample taken was 5 cms or 50mm in length, The distance between the band and the hair tip is .3 mm, that means that the root bulb was 49 mm away but of course that would be impossible in this case beacuse the hair sample was rootless.
What caused the Banding?
Another good question! Here's the answer: it was volumetric swell caused by 1940s high-pH ammonium hydroxide salon treatmentWhy the Hairs "Stand on End": Capillary Action
Close-up photos of the crown of the plaster bust show hair strands sticking straight up out of the plaster. While early observers assumed this was a snapshot of the corpse's natural hair, fluid mechanics tells a very different story:
The Capillary Pull: When dry, loose hair is laid onto wet, liquid plaster, a physical force called capillary action takes over.
The liquid in the wet plaster draws itself along the outside of the dry hair fibers. As the plaster dries and sets, this upward capillary pull forces individual loose strands outward and upward, making them stand on end along the crest of the head.
This physical behavior confirms these were loose, dry strands added into wet plaster, rather than natural scalp hair pressed down during the molding process.
Those familiar with this blog will recall that the man who made the Plaster Buist, Paul Lawson, stated clearly that he had used mortuary soap to hold the man's hair in place to ensure that his hair did not get tangled with the mold or the bust. The standing hairs shown in the image were not from the Somerton Man; his hair had been plastered down with mortuary soap for just that reason.
The Tamam Shud blog is dedicated to uncovering the forensic realities of the Somerton Man case. Our mission is not to speculate, but to reconstruct the events of 1948 using primary documents, scientific modelling, and expert analysis. While the man's true identity may remain a mystery, our focus is on the evidence that reveals how he died and the networks involved. To ensure the integrity of this research, we rely solely on verifiable sources and citations, strictly excluding anonymous blog comments and forum speculation from our data.



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